That's an option that I'd not considered as I timesync everything in AB3. You could host it in AUM & host AUM in AB? That's my workaround anyway. I'm using a low pass filter and a monophonic octave doubler, which together give a very big sounding sub tone that filters out any high end content before doubling the fundamental. I actually really like like that octave effect but no-go for Audiobus hosting. What pedals are you trying to emulate/replace? Flux:Fx is pretty good for basic octave. It sounds amazing! Maybe I'll ditch those effects pedals one of these years - but no this year! I'm sending a second line in with a split off dry signal that's getting high passed and effected by WOW2 and Modley and then blended with the bass sound in various ways. So after some experimentation and trial and error, nothing comes within 1000 miles of the beautiful filth that a couple of stomp boxes can create. Set the latency as low as possible and you'll be good to said: I've been going the ToneStacks effects recently myselfĪnd their octaver is not that dissimilar. Or provide space for the bass player to solo. Or when we had a bass player I could reinforce the bass riffs So that I could play the bass lines without a bass player I was using AmpliTube for the octave pedal effect It's the only thing that I've not been able to bring into the digital realm yet (have a beat up old stomp box that cost me £25 and sounds maaaasive) and getting it done with software instruments would give me much more flexibility in audio routing.īefore I put my improv band on hold last year A pitch tracking synth would do the job I'm after really. There any AU (or combination of tools) around these days that could do what a 'octave doubler' guitar pedal would do (essentially, generate a monophonic tone an octave below a signal)? I don't have the cash to invest in Yonac stuff although I know there's a polyphonic pitch shifter in there. Quatiloop with a BlueBoard is pretty cool: Like a Boss Loop said: If you Loop then you'll probably want AB3 in the mix for transport controls or Quantiloop which can also load AUv3 FX. I tend yo use AUM for the Preset loading. Only FabFilter Pro-Q3 seems to be a problem loading here. AUv3's can be loaded for he live guitar path. Amazing app to use the Guitar as a MIDI controller and mix live and AUv3 based apps. Or better yet for Guitar load 4Pockets into MIDI Guitar 2. If AUv3 based DAW's work for you host it in the the AUHost for $1. he can shred but doesn't feel the need to. "Look at this." Too many jugglers all ready and not enough Robben Fords in the world. It's like Circus Juggling or a High-Wire act. I wouldn't know since I find that shred style to be exhausting to practice and hard to listen toįor more than a few bars. If you use extreme picking techniques you'll probably lose your mind. Again this is pretty typical of real-time pitch shifting algorithms.ġ00ms is noticeably for guitars but you can learn to get used to it and learn to anticipate your attacks. This is not so noticeable on vocals or lead instruments but not useful for shifting drums or anything that snaps to a beat. As with most real time pitch shifters this effect imposes a 100ms delay due to data processing constraints. This plugin only works with sample rates of 44/48KHz and below. Please Note: There are some restrictions on this plugin which you need to take into account before purchasing. We also provide fine detune options for both channels as well as level and balance controls. It allows you to pitch shift both left and right channels independently by +/- 12 semitones. This effect was designed for modifying the pitch of vocals and lead instruments such as lead guitar or keyboard lines. This is an AUv3 compatible processor friendly stereo pitch shifter plugin which can be used as a plugin with your favourite DAW such as Cubasis, Auria, Meteor or GarageBand.
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